Curvalicious for a Grownup Bed Quilt

My friend T. is an avid quilter with shoulder pain. She wanted to make some gift and personal quilts, but her upper body isn't cooperating at the moment. So she commissioned me.

For her twin bed quilt, she sent me yards of this beautiful turquoise batik fabric with gold Judaic designs printed on it:

.

..along with this starry white-on white fabric (it looks grey in the photo, but it's pure white). 

...And she specified that I should make stripes using Cheryl Lynch's "Curvalicious" ruler. I wrote a blog post about Curvalicious two years ago, when Cheryl gifted me with one. Its deceptively simple design is modern, retro, and stylish, all at the same time. 

At the time, I used it to make an understated, fast, modern infant-intelligence-enhancing baby quilt.

So, for T's quilt, I ironed paper-backed fusible web to the back of the turquoise fabric. Next, I traced the ruler on the back - the wavy lines as well as the circles. I then cut  along the wavy lines with my rotary cutter...

...and, for the circle, used an x-acto knife to start the cut. Once the x-acto had made a cut wide enough for a sharp scissors blade, I inserted  the scissors to cut the rest of the way around.

Once I had a  bunch of stripes and polka dots, I flung them around on white fabric and sent T. snapshots of a multitude of choices...boy, was that fun!

I got a little giddy...

Alas, T. wanted something less chaotic, with no more than two curvy stripes. She didn't even want the blue polka dots!

So I created a background - a wide turquoise piece with a narrower white piece - then fused and appliquéd the stripes onto the white background. Added batting and backing, and quilted it heavily. Bound it and done!

To stitch down the stripes, I used a machine zig-zag. 

I did random stippling on the turquoise expanse, and combined circles with stippling on the white area surrounding the stripes.

Please disregard the fact that some of my circles aren't very circular! For the back, T.  sent me yards of this chicken soup fabric: 

It made up the entire back. How I wish this chicken soup fabric wasn't out of print! I had bought a yard of it four years ago, and used it up for gifts! (Like this one.)

I packed the quilt up and shipped it to T. Fortunately, she loved the results of our joint venture!  I also sent her all the extra fusible-backed Curvalicious stripes and dots that I had cut out - hopefully, when her shoulders improve, she can easily fuse them down to make some particularly easy applique quilts.

The Curvalicious ruler is addictive and surprising - it can give an otherwise-basic quilt an unexpectedly sophisticated look. Cheryl uses it with dupioni silk to make elegant creations - see more possibilities at http://www.curvalicious.net/. No financial affiliation! I'd love to see what you've made with it!

Rocks, Paper, Scenery: Freemotion Quilt a Spanish Vacation

We just returned from the trip of a lifetime, a reunion vacation with friends in rural Spain, north of  Barcelona, in the Costa Brava region. We saw, ate, and drank many beautiful things, but what I found most fascinating - as a quilter and an American - were the stones.

The medieval walls and streets proudly show their age with layers of rock-and-brick patchwork. Like this one...

...and this...

...and...

Here's the villa where we stayed: 

I thoroughly enjoyed the ten days of friends, wine, cheese and cappucino, but I could hardly wait to get home to try some rock-inspired freemotion quilting. After a joyful reunion with my sewing machine, I propped my laptop next to it, and looked at each photo while stitching:

Do not follow my example and place your coffee cup on your sewing table. It's asking for trouble.

For my first experiment, I used a trapezoidal piece of scrap muslin that happened to be lying around, with batting between two layers, and red thread. I picked seven favorite photos, and stitched them out serially...

One was this photo:

First try:

I also stitched or wrote the name and number of the photo on top of each image. 

Wow, that's awful! I did the next round in pen:

Third time in fabric, again: 

Gee, practice helps a LOT! The most challenging part was making the rocks uneven sizes. In all my years of FMQ, I have mostly focused on making the repeated designs - loops leaves, squares, whatever - consistent sizes. But that's not how rocks look in ancient Spanish structures! The same wall can contain everything from tiny misshapen blobs to long pencil-shaped pieces to plump rectangles. It was surprisingly difficult for me to vary the sizes irregularly, and distribute them asymmetrically.

Next, a metal vine window grating, surrounded by bricks, then rocks:

First draft, stitched...

...Second draft in ink...

This was a wonderful arch, with family strolling underneath:

Rocks are much easier to sketch than relatives, so I left the family out of my interpretations. First version:

Second:

Third, another fabric practice: 

Check out this awesome window (door?) frame that had been completely filled in.

First try, stitched:

Second, drawn:

(I skipped the hard part). Third, stitched again:

 Here are the pieces I have so far.

 And here's my best version (so far) of the villa, colored with watercolor pastel crayons (Caran d'ache Neocolor II).

Meanwhile, here are some more quilty sights (and sites) from Costa Brava. Our villa featured an affectionate burro named Rudolpha.

We bonded deeply, but unfortunately, she wouldn't fit into the overhead compartment on the airplane. Next, a café ceiling - OMG, those are flying geese!

Across from the cafe, a building with a graphic sun dial. I believe those dark brown metal cross stitches are holding the structure together (not religious icons). 

Next, an apartment building painted with rectangles that look a lot like...business envelopes with all the lower triangular flaps colored in!?

Is this a traditional Spanish symbol? Anyone?

Check out this rock mosaic pattern from the middle of a street: 

My friend Gary took an even better picture of it (Thanks, Gary!). See the clamshell motif?

In the next image, I love the people, and the wall behind them almost as much. Hmm, I could just print this photograph onto fabric, and follow the rock lines with freemotion quilting...

OK, you're sick of looking at rocks. There were also startling color schemes. Here's my glorious friend Maria, in front of an almost-as-glorious bougainvillea. 

Thank you, Maria and Dave, for organizing such a fantastic vacation!

A golden street corner: 

(Later, in the Dali Museum, I spotted a collage which echoed that corner's colors: 

.)

A yummy gazpacho, which I'd just about finished when a golden visitor wafted down into it.

Below, a wall that looks like an island map. The window shades are a deep forest green....

And speaking of green and blue....

Sorry, that was more rocks. Don't get me even started on the inspiration at the Salvador Dali museum. One of Dali's famous pieces, "50 Abstract Paintings," made in 1962, is totally quilt-ish: 

OK, not totally. It's hiding distorted images of a Bengal tiger and Lenin (the Russian dictator, not John the Beatle). The layout reminded me of a less edgy but no less enthralling 1970 quilt, "Falling Blocks", made by quilting engineer Ernest Haight of Nebraska.

(Read about Haight here. He has nothing to do with Spain.) And I'm also singling out the Dali painting below because it's embellished with...yes, I believe those are dangling ESPADRILLES. 

Bless you, Dali, for giving me permission to hang shoes from my quilts! How about flip-flops dangling from a beach-themed quilt?

Will you be quilting your summer vacation?