Monday, January 27, 2020

Road to California 2020, Part I: The Quilt Show

Road to California, a terrific quilt show, took place last week, ending on Sunday. There was something for everyone - traditional, art, modern, and group quilts; challenges, guild raffle quilts, and more than a dozen wildly diverse special exhibits. Great classes. Hallway massage. Polite Boy Scouts who, for a small donation, watch your bags while you shop. Tons of vendors.

Also, it's next to a mellow, convenient little airport - you could walk from the Ontario, California airport to the convention center. So it's not surprising that this warm and welcoming show attracts 50,000 viewers, plus entrants and vendors from around the world.

I have loved 'Road,' (as we locals refer to it) for many years, even before they started accepting my quilts! On the latter achievement, I'm still in happy shock. One of my quilts was juried in last year, and one more this year. This feat took merely 30 years of intensive practice.

The quality and passion of the quilts at Road always blows me away. For this blog post, I will focus on a few of the many spectacular non-award-winners. You can easily look at great photos of the award winners on the show's website, here. Some of the quilts below did win awards, however - I just couldn't resist posting them.

Quilts shows are an out-of-body experience for me - I'm in a tizzy - so I can't take pictures of every quilt I adore. If your quilt isn't here, there's a 99.99% chance that I loved it. If your quilt is here and you wish it weren't, I will remove it (email me at cathy.perlmutter@gmail.com).

I welcome corrections, clarifications, etc. Some of the labels are at a distance from the quilts, and I get confused - write to me and I will correct any errors. I have no financial affiliation with any of these quilters (except me, at the end.) Let's go!

THE CHUTZPAH AWARDS

I'm going to start out by presenting my own personal 'courage-in-artistry' award to the two most out-of-the box quilts at the show that I just loved. First, Steph Skardal of Dublin, Ohio, made "Fish Scale, Chain Mail." The loops you are seeing are all quilted. Steph writes, "I was inspired to bring elements of crocheting and knitting into quilting...I took inspiration from metal chain mail formations to determine how to weave individual quilted rings together....Half-rings were individually quilted and joined together via hand stitching."
Another stunningly unique piece was this interactive quilt by Flora Joy of Johnson City, TN, whose  work I first encountered at last year's Road. It's called "Pop-Up Stories". Viewers -  especially schoolkids - are encouraged to open the flaps one by one and use what pops out to tell a story.

Closeup. Along with fun and imaginative, Flora's craftswomanship is perfection.

See more of Flora's innovative quilts on her website, at http://www.storytellingworld.com/13974/. I wrote about two more of them in last year's Road to California report, here

RELATIVELY ABSTRACT WALL QUILTS
I photographed the next quilt, by Roberta Lagomarsini of Bishop, California just because I thought it was beautiful. When I read the label, I learned it was much more. Her description of "Old Town Street View - Syria" reads, "Freeform squares of whites, blues and greys laid under and over each other represent city walls: ink, red, teal & orange - hanging laundry and the greens the meager plants growing in the dark passageway. Black squares represent the desperation of war, Orange the firefight. White Light shines through giving hope that peace will prevail."  
Also addressing important issues: "Global Warming" by Zina Clark of Long Beach, CA. 

Michelle Cain of Groton, MA, made, "47XY+21" Explanation: "When our son was 10 hours old, my husband and I learned our baby has Down syndrome. 47XY+21 is an abstract rendering of our son's ...chromosomes...including the extra chromosome on the 21st pair that causes Down syndrome. As the heart surrounding that trio suggests, we feel nothing but love for our son's bonus chromosome. We can't imagine him without it. We wouldn't want him any other way."
 
Here's "Mesmerizing" by Jodi Robinson of Enon Valley, PA.  She calls it "My modern spin on a spiral quilt."
The colors and quilting in "Antelope Canyon Mosaic" by Kimberly Lacy of Colorado Springs, CO, made me swoon. (The judges swooned too.)
Next, "Kaleidoscope Quilt" by Gail Weiss of Portland, Oregon, quilted by Nancy Stovall. It's English Paper Pieced, with 3,113 pieces. It took her 10 months. When I got home, I discovered she sells this pattern and other very unique designs from her blog, GailLizette.com.
Kathy McNeil of Arlington, Washington made "Bliss," which is what it induced in me.
Cindy Seitz-Krug of Overgaard, AZ, says that with the quilt, "Alternative Grids," below, she wanted lots of negative space to show off grid-based quilting designs in her books and Youtube tutorials. Learn more at her website, https://www.quintessentialquilting.com/about-cindy.html.
Next, "Lotus" by another well-known designer, Karen K. Stone of Dallas. (I took pictures before I noticed each artists' names!)
Beth Nufer of Brookings, OR made this flawless and unusual quilt, "Cody's Cubes," quilted by Clem Buzick.  "I wanted to make a modern design quilt with a 3-D effect...I love tumbling blocks, so that worked out for this quilt." I can only dream of achieving this level of perfection when I grow up. 
Closer:
Maureen Wood, from Rosedale, BC Canada, made "Imagine," from a pattern by Jacqueline de Jonge.
Nearby, another rainbow/mariner's masterpiece, "Mardi Gras" by Marlene Speed of  Victoria, BC, Canada. My photo doesn't show the thousands of Swarovski crystals on this quilt.
Here's "Ballet," English Paper Pieced by Alice Ikenberry, of Richland, WA, quilted by Teresa Silva, and designed by  Willyne Hammerstein.
"Starcrazy" by Catherine Butterworth of Lindfield, NSW, Australia was another jawdropper (and award-winner). "I used what I call quilted trapunto. This is where elements of the stars are quilted and then padded before the quilt is sandwiched."
Those round forms you see poke out a couple of inches! They're kind of bosomy, in a wonderful way!

HUMAN IMAGE QUILTS
Deb Hyde from West Bloomfield, Michigan made "Persephone," a portrait of the Greek goddess. The closer you get, the more astonished you are, as you realize that it's entirely pieced from 1" squares - arranged in the traditional  Amish 'sunshine and shadow" concentric diamond pattern! To me, it's staggering.

"Darshan of the Deities," was made by Mellisa Sobotka of Richardson, TX. "In Indian philosophy and religion, Darshan refers to the beholding of a holy person, sacred object or deity, especially in image form. The experience is considered to be reciprocal and results in the human viewer receiving a blessing." 
Rhonda Denney of Emporia, KS, was inspired by a sepia photograph to create "Lunchtime Secrets."  It's whole-cloth and dye-painted to look like a page from a photo album. You can see most clearly on the lower right that it even has faux photo corners! 
Also based on an old photo, Jan Hutchison of Sedgwick KS made "The Gault Family Band." Her grandfather is the trombone player in the original photo, taken around 1900. Music still runs in her family; Jan and her sister are musicians. She wrote, "This quilt combines three important parts of my life: family, music and quilting."
Cindy Stohn of Chandler AZ, made "My Big Face. She wrote, "As a study in color, I created this self-portrait inspired by the painting style of Chuck Close. I first created the image using paint chips on a 1/2" grid, then I transferred the concept into fabric. Free-motion quilting using multiple layers of thread rings adheres the circles to the pieced square top. Over 120 colors of fabric and 56 colors of thread were used...No software, paint, or fusible products were used." 
To honor military women, Penni Barger of Ripon, CA made "Those Who Serve." It's also inspired by the Women's Vietnam War Memorial in DC. 
There was a series of stunning quilts by renowned quilter Jenny Bowker, which included this important quilt, "After the Last Sky." 
A better picture, and an explanation is on Jenny's website, at   http://www.jennybowker.com/postcards/2018/6/18/after-the-last-sky.html.

THE ANIMAL DEPARTMENT
I have a weakness for jellyfish (but not too close), and I loved "Dance Around the Moon," by Clare Marks and Carole Crist of Bremerton WA. "My mom and I live near a beautiful inlet in Washington. On a full moon you can kayak out into the bay and see beautiful jellyfish floating just below the surface....with my Mom's wonderful painting, and some quilting we brought it to life on fabric." 
A different watery world is depicted in "Messengers," by Kathy McNeil (who also made "Bliss," above.) These are Spotted Eagle rays, and she didn't use spotted fabric - "There are 1,658 turned edge, hand-appliqued spots," she wrote. The rays, she added, "are messengers reminding us to protect our coral reefs."

"Ms. Secretary Bird" by Sharon Wiley Hightower was partially inspired by a photo by Keven Law. "She is a feminized version of a ferocious five-foot tall bird that lives in the African Savannah," Sharon writes. "The actual bird was named for the quill feathers on its head, reminiscent of old time secretaries with quill pens stuck in their hair."

"Everything is Rosie," a delightful giraffe, was made by Margaret De Palma of Bishop CA, a student of Susan Carlson, whose approach to fabric collage is spreading rapidly throughout the quilt world, for good reason!
Here's "Seahorse Carousal" by Robin Long of Poulsbo, WA, quilted by Wanda Rains. 
In an endangered species challenge, I found this dimensional coelacanth by Kim Gibson of Burke, Virginia
Luana Rubin of Boulder, Colorado made this spectacular polar bear. 
The "Giant Clam" below oozes rick rack, lace, and fabulous contemporary fabric - that's my kind of clam! It was made by a quilter whose first name is Willa - unfortunately, the glare from the sign obstructed my photo of her full name - so if you know Willa's full name, or you ARE Willa,  my apologies - I love your quilt, please send me the information and I will add it! 
Another special exhibit honored the Road to California show. Debbie Nussbaum of Los Angeles made these wonderful trees, incorporating Australian and Kaffe fat-quarters purchased at shows. The quilting includes squirrels, foxes, birds and three owls! 
The Bob Ross Cherrywood challenge included had entries inspired by the iconic big-haired, big-hearted artist's belief that anyone can paint. If you're a Ross fan, it's too late to do the challenge, but I just discovered you can buy a poster of the entries at http://cherrywoodfabrics.bigcartel.com/product/bob-ross-poster. While you're at it, order some of their trademark, luscious, hand-dyed fabric. And find the rules for their next challenge - Lady Di - here. (No financial affiliation).
Another special exhibit was "Stitch Like an Egyptian - Tentmakers of Cairo". I could devote dozens more blog posts to their glorious, dense work. (Not surprisingly, books have been written about them.)



And finally, here's a photo of me in front of my pieced and appliqued quilt, "Multigenerational Luncheon Linens.
I happen to own a much better picture of this quilt.
If there were a hoarder's award at this show, I'd be a contender. It took me years to collect the linens. The central area is a tablecloth, I'm guessing from the 1950s, with illustrations of mysterious globes on pedestals. (One person theorizes that these are old-fashioned stoves, but I couldn't find any antique stoves like this on the Internet! If you have a theory, please share!)
The borders contain more vintage linens - quilt blocks, hankies, napkins, aprons, placemats, etc. And floating on top, I set twenty new English Paper Pieced hexagonal blocks. I think of them as young guests at their elderly relatives' luncheon table. If you're interested in making a quilt like this, directions are in my new English Paper Piecing book, "Hexagon Star Quilts," it's available on Amazon, here.

So that's Part I! The next installment is now up: Shopping at Road 2020!

More information about the Road to California show is here, and their great pictures of the award-winners are here.


UPDATE: A fabulous walk-through of the show is now on youtube, here: https://www.youtube.com/watch?v=u0L1ldJUcW4&fbclid=IwAR2-jlFH0m0JpmgnhB4wdQgaW_naZNZTyhIqSD95d0kZtcWAphPn8K5DqdQ.

Sunday, January 19, 2020

Turn Your Maxi Quilts into Adorable Mini Quilts (and Maybe a Mug)

In our last installment, I put photos of quilts that are about 70" wide onto fat-quarters of organic cotton sateen, with the help of Spoonflower.com. I downsized each image to about 6" across.  Here's the fat-quarter with images of my Los Angeles quilt. Before cutting it up, it fit 8 photos, plus four partial images along the top. 
I decided to make the reprints into individual wallhangings, and this time I not only added borders, but also quilted around each building with "invisible" monofilament thread. Here's a finished Chicago wallhanging, 10" wide including borders:
The original quilt had embroidered fireworks, which barely showed in the copies. So I did a wee bit of hand-sewing with metallic and rayon threads, beads and sequins. 
The next photo shows the LA quilt in progress. I used one of the image fragments from my Spoonflower fat-quarter to test tension and threads - it's on the upper left. Then I went into the l quilt and outlined all the structures. 
I can't tell you how adorable the little dimensional building felt. Even the back - where I used a scrap of thin white fabric, to keep batting from going into my machine - is tiny and adorable. After laboring for weeks to quilt the original quilt, it felt miraculous to finish this mini-version within an hour!
Next, I trimmed it, and placed it right sides together against a backing. (In hindsight, I should have just left the back as it is - but I wanted a pillowcase finish and a neat back). I cut the backing to approximate size.
...Cut a slit in the backing to turn...
Pinned the backing to the front.
Stitched all the way around and trimmed.
Turned everything through the hole.
Chopstick time!
When all the corners and seams were fully extruded, I pressed the back neatly.
Patched and added a loop: 
Did I mention how cute and petite it feels?  It's like acquiring a hamster after you've had a St. Bernard. The original Los Angeles quilt didn't have fireworks, but it did have a star. On my copy, I hand-embroidered around the star with metallic thread.
The finished quiltlet:
I'll keep these wallhangings for myself - the original quilts have new homes, and this way I won't miss them so much!

Also in my last installment, I talked about merchandise I ordered from Redbubble with quilt images. Here's one I didn't show last time - a mug with a slice of the Chicago quilt. The orange structure is Water Tower Place....
...Rotating, there's a Wendella boat on the river....
...further on, the green structure is Macy's/Marshall Fields. Below it, the Picasso statue, and the striped building is the Smurfit/Stone-Crain Communications building.
In this new world of quality custom printed stuff, it's possible to give away your quilts and keep them too!
PS If you're interested in learning my techniques for making city quilts, my two books on the subject, "Scrap Cities: Joyful Modern Architecture-Inspired Quilts,"  and "Quilted New York; Celebrate the City with Fabric and Color" are available from my etsy shop, at https://cathypstudio.etsy.com. You can purchase either the PDF version or the paperback book versions.


Tuesday, January 7, 2020

Strange Thrills: Put Your Quilts on Mugs, Notecards, Pillows, and/or Other Quilts!

Here are the two latest fat-quarters to enter my fabric stash. I'm certain that no one else on earth owns these fabrics. The first:

What the heck is it? A photograph of my recent Chicago quilt, downsized from its original 72 inches wide, to only 9 inches across. Six copies fit on a fat-quarter of fabric (FQs are 18" x 22"). 

They were printed onto a lovely organic cotton sateen by the custom printer Spoonflower.com. Spoonflower's usual price is about $13.00 per FQ - I took advantage of a two-for-one sale to pay that price for the FQ above, plus the one below:  

This second piece features my latest Los Angeles quilt. Eight photos fit on a FQ with each image about 7.5" square. I could have made the images bigger or smaller. 

Painters make giclee prints. For the exact same reasons, quilters should consider printing their work on fabric, paper or other items. 

Plus, it's a strange but genuine thrill to see something you created in a completely different way - as, say, socks.  But before we get to the hardware, let's start with....

Printing onto Fabric

The DIY route is to print quilt photos from your home printer, onto 8.5" x 11" fabric sheets. I've done lots of home printing of photos on fabric, and it usually turns out okay, but it's not necessarily a bargain. 

It takes lots of ink; for permanence, you must either have a pigment ink printer, use pricey fabric sheets, and/or mess around with challenging chemicals like Bubble Jet Set. If you cut your own fabric sheets - using freezer paper or a sticky label backing, printing can be risky - as often as not, it creates a jam. And you must have a good-quality printer. If your printer doesn't do large-format printing, you're limited to a small size. 

So the idea of paying Spoonflower to do the printing isn't all that extravagant. But what really inspired me was the gorgeous work of master art quilter Judi Hutchins Bastion. Judi sends her lovely, detailed nature photography to Spoonflower to print - like this photo of a leaf. 

She then embellishes the printed images with stitchery, to make exquisite works of art, like this. 
Thanks, Judi, for giving me permission to show your work. If Spoonflower is good enough for Judi's subtle imagery, I thought, it's good enough for reproduction of my not-so-subtle quilts! I uploaded photos of the two quilts, and Spoonflower's easy tools let me adjust the size and number of images on each FQ. 

When I received the fabric, the holidays were coming - a perfect incentive to start using it immediately. I cut one panel from the LA fabric, added borders and cornerstones, and ended up with this neat  wallhanging.  

I didn't work up the courage to quilt the panel, but that's going to be my next experiment.

For another friend, I made a pillow with Los Angeles on one side.... 
And Chicago on the other...
I added dark navy borders to LA, to make it the same size as the slightly larger Chicago image on the reverse side. 

Onward to Notecards

But wait, there's more! I started thinking it might be fun to make notecards from my city quilts. I could use some myself, and gift blank ones to people who had lived in those cities.

I posted a question about quilters' favorite notecard-printing sites on a quilting forum. Several people suggested Vistaprint.com.  I wound up buying ten cards with my Chicago quilt, plus blank envelopes, for $18.51, including $5.99 shipping and a bit of tax. I was very happy with the results: 

You do have to fold them yourself, but for $1.80 each, they're a bargain! 

A few weeks later I received an email from Shutterfly announcing a 50% off everything sale, plus free shipping on greeting cards. I ordered 15 cards for $23. That brought the card price down to about $1.50 per card. And they came out beautifully! (Plus Shutterfly folded them for me.)

But I don't always want to be the middlewoman  - I wanted people to be able to order stuff with my quilts, without me having to stockpile or ship it.

Beyond Notecards

For that, quilters suggested several sites, including RedBubble.  Upload a design and anyone can order them on a wild array of objects - posters, shower curtains, leggings, clocks, and so much more. Most hilarious of all  - you can print your quilt onto a duvet cover or comforter! Yes, that means you can turn a photo of your quilt into another sorta-quilt, for no extra labor! (Not counting hours you spent earning the $86.87 that the duvet costs, or $105.31 for the comforter!)  

No pressure, but if you would like to see a long list of hypothetical merchandise with my quilts on it, go here. Full disclosure: I get a 20% commission. I'm not completely sure, because, so far, zero people have ordered any! RedBubble offers tools for self promotion, which obviously I have not yet tested!  [Update: I've sold a set of coasters!]

Better yet, upload one of your images - it's free to play, you don't have to finalize it - and I guarantee you will experience a weird  thrill when you see your art as, say, a "laptop skin." 

RedBubble's merchandise includes notecards. They're $2.48 each - more than I paid with sales at Vistaprint or Shutterfly - but still reasonable for someone looking to buy a special greeting card without you having to package and ship it.

My New Mugs

Although I didn't order cards from RedBubble, I did order four mugs from them as holiday gifts. 

I was delighted with the color and the quality. I learned that if you use a squarish or vertical image, and want the whole quilt on the mug, there's going to be a whole lot of white space on the other side. Here's the front of the LA quilt mug - everything beyond its sides, where the photo ends, is white. 
My New York quilt has even longer proportions than my LA quilt. 
If I'd put that photo on the cup, it would use up an even narrower space. So I decided to use only a horizontal slice. With Redbubble's tools, I upsized the image, lopping off tops and bottoms of buildings like Godzilla rampaging through Manhattan. Here's the results...
...rotating.....

...to the back.
I kinda love it! This wouldn't work with every quilt, but if you have something that's already abstract, you might enjoy an even more abstract horizontal slice on a mug. 

So those are my adventures in quilted tchotkes. The most important advice I can give is to use the sharpest, highest-resolution photo you can. I bring all my large quilts to a local art photography firm - they charge me $30 for a high-res full shot. If you happen to live in the LA area, the company is Artworks Fine Art Publishing.  

If you order any of these things from these sites - or sites like it - please let me know how they turn out! I hate to add to your email load, but if you sign up for their mailing lists, you'll know when there's a sale. 

Disclaimer: I have no financial affiliation with any of these sites - if you click on my links, I don't benefit in any way - unless you order products with my quilts on them from RedBubble, of course.