Kvelling Over Hat and Hebrew Quilt "Grandbabies"

Every so often, I get an email with the subject line "Your newest grandchild!" These announcements don't come from my own kids, which is a probably a relief, because they're 18-to-23 and single.

Instead they come from my friend Linda Horowitz, a businesswoman and humorist, who loves making over-the-top kippot from the patterns in my yarmulke how-to book.  She especially likes to make personalized, reversible lined kippot with 12 fabrics (plus buttons and charms.)  A couple of months ago, she made the hat below for a friend's rabbinical ordination. There are six panels on the outside....



And six more on the inside....

Her giftee is involved in Jewish summer camp (so there's a camp fabric); "edible Judaism" (pumpkins); sun-and-wheat for counting the omer; a dove of peace button on a Jerusalem fabric; a tree fabric (Tree of Life/Tree of Knowledge - both work), with an apple button, which, she notes, could also be a teacher's apple; a G-clef charm; and much more. The binding is black denim with gold musical notes.  

I thought I couldn't be prouder, but shortly afterwards, Linda sent me another baby picture! It was for the following 4-panel kippah she made for her son, who is starting freshman year at Butler University in Indiana. The school mascot is a bulldog.

This hat didn't come as a total surprise - Linda had visited my home to print a bunch of bulldogs onto a pretreated sheet of fusible-backed printer fabric. Our printout looked like this:

She then cut out two of the dog heads, and fused them to a satin white fabric. She hired a professional machine embroiderer to spell out "Butler" in Hebrew (under the dog's head), her son's Hebrew name, and "Go Dawgs!" (The embroideries cost her $10/panel.) She cut the fabric into four panels, and stitched them together to make the kippah.

But wait,  there are more new grandbabies! They're not hats; they're quilts, and they're Canadian! (so I may need to move in with them after the election.) A couple of weeks ago, I received an email from my friend Susan Podlog, who lives in Calgary - and it contained this photo:

Left to right: Leslie Levant, Nadine Waldman, Deb Finkleman, Carolyn Devins, Polina Ersh, Myrna Ichelson holding a challah cover by Lily Joffe

This group of women - members of the Alberta-based Rimon Calgary chapter of the Pomegranate Guild of Judaic Needlework -  made quilts from my Hebrew Aleph Bet pattern. Their finished projects range from simple alphabets to challah (bread) covers to a "welcome" sign for a synagogue office.

What makes this astonishing to me is that some of these ladies were beginners to paper piecing and even to machine sewing! Tackling my paper piecing patterns without a little experience can be daunting. For example, here's the letter Aleph:

It makes this:

... Fortunately, this group of stitchers includes Polina Ersh, "a phenomenal quilter and paper piecing maven," explains chapter member Susan Podlog. "Polina has the patience of Job, and was so gracious in sharing her knowledge. We so appreciated her willingness to be a teacher!"

One of the Polina's most helpful tips, Susan reports: Use the "Add a Quarter" ruler to trim seam allowances as you go. My pattern does not include information about this tool, but I just found a very clear tutorial here. (This tutorial is from the ruler's inventor, Carolyn Cullinan McCormick. No financial affiliation!)

The group also gave me some very lovely feedback on the patterns. One of the women wrote,

"I do remember thinking it was good that I'd done a previous paper-piecing project. I guess I'd say it might be tough for novices without some guidance.  But I'm very pleased with how it turned out, and very glad that Cathy made this pattern. It's something the world needed!

What more could a grandmother ask for?  Well, a human grandchild would be nice, eventually....meanwhile, I'll just sit here in the dark.

A blog post with more about aleph bet quilts is here.  Patterns are on my Judaiquilt website, here. and my Etsy shop.  If you make something from one of my patterns, please send a birth announcement! We will both kvell!

P.S. Many more Judaica patterns, in many different mediums are available to members of the Pomegranate Guild of Judaic Needlework. You'll make new friends and learn new techniques - it's all good!

My First Judaic Quilt Show, Part 1

I hadn't participated in a quilt or art show for a long time. But I'm resolving to get my work out more. So two weeks ago, when I got a call from one of the lovely people at our local Jewish Federation (in Southern California), asking if I would hang some my Judaic-themed quilts in their Monrovia office, I was thrilled!

For about an hour, until I realized I would have to pull out and look critically at all my Judaic work, some of which is new, and some which is close to 20 years old. Assessing old work is exciting and scary at the same time. Sometimes I say, "Hey, that one was pretty good!" And sometimes, it's a  "Glug." (Similar to "Ugh," worse than "Meh," not as bad as "Argh".)

In this post, I'll show the non-Passover related quilts that I pulled for the show (the Passover ones are next week). First is a quilt that very few people have seen, for reasons that will become apparent in one second:

Yes, it's the world's oldest Jewish joke. It reads, "Three Fairly Major Jewish Holidays on Just 1 Dinner Napkin: They Tried to Kill Us. We Won. Let's Eat!" Another detail:

It is appliquéd to a genuine lace-edged napkin. The holiday names - Purim, Chanukah, and Passover - are appliquéd to the lace along the bottom.  In hindsight, it's quite a bit messier than I would like, but the idea has potential! (I'd love to see your interpretation!)

And speaking of lace, what are you supposed to do with green lace? When I started quilting, I bought every flea market embellishment I could find, without thinking it through. This green lace was probably intended for negligées or mermaid brassieres. I've only found this use for it:

People like this one, but I keep thinking "negligée".

Next, one of my paper-pieced Hebrew alphabet quilts.

The font is based on Torah calligraphy. It took me months to wrestle all the complexly-angled Hebrew letters into paper piecing patterns. How complex? Here's the pattern for one of the more challenging letters, the tzaddi:

That's 17 pieces for one letter, but who's counting? I was pretty proud of myself when I'd finished creating patterns for all 27 letters including five final consonants (which only appear at the end of words and are not in this quilt), plus a couple of symbols. (Commercial break: The pattern is available in my Etsy shop, or Judaiquilt page. For advanced paper piecers, only.)

Up next, another challah (Sabbath bread) cover, with the clouds containing the bread blessing. It's never been photographed.

Those five layer reverse-appliqué clouds were sooo labor intensive.

At least they're raw edge appliqué - turning under the edges before stitching would have been just plain crazy. (Last commercial break: I later simplified it into the pattern that's in my Etsy shop and Pattern page.)

I call the next one "Semi-Amish Dreidels," because of the solids-and-blacks color scheme. We display it every Chanukah. The last time I hung it, I was trying to recall how I made it. I thought I'd strip-pieced it, but after dredging through old files, I discovered that it's paper-pieced!

It's octagonal (I photographed it on a black background). Those are prairie points around the edges. Each dreidel has one of the Hebrew letters from the dreidel game quilted into it. 

Next, 'Shabbat Shalom', for a peaceful (pieceful?) Sabbath.

For six days (i.e. the top six rows of cubes), we run back and forth like chickens. On the last day, we rest, take a deep breath, try to perceive the divine. (Or at least the yellow.)

The lettering is done with dishwasher gel and freezer paper templates. I ironed freezer paper letters to black fabric, then painted around them with the gel. Let it sit a few minutes, and then gradually rinsed it off, starting at the top, so the bottom would be the lightest area, exposed to bleach the longest. (Don't try this at home without using Bleach-stop or its ilk when you're done.)

Next, one of my wedding canopies (aka chuppah).  "Seven sisters" is the name of this design in American quilt history, adding layers of meaning to six-pointed stars. 

 
Corner detail, with the word "chai" (for "life") quilted in gold thread.

Next, my "nine of anything" menorah quilt, blogged a few years ago, here.

There's an ice cream menorah....

...an Elvis menorah...

 ... a butterfly menorah, and more.

Finally, my response to the Charlie Hebdo massacre, blogged here. 

Seeing most of these pieces hanging in one hallway was an out-of-body experience. Even though the office wall was painted an intense turquoise, and there's barely a scintilla of turquoise in any of these quilts, it seemed to work out quite nicely!

Next week: my Passover matzoh covers for the show. There were a lot to choose from. I have in my home enough matzoh covers for at least a month of Passovers.

These quilts will be at the  Monrovia Jewish Federation office, here in Southern California, for three months, and they welcome visitors during their regular business hours.

Update: Part II of the show, my Passover items, are blogged here.

Public service announcement: Are you interested in making and/or learning more about stitched Judaica? Find inspiration and like-minded people in the Pomegranate Guild of Judaic Needlework, an international organization with chapters across the US and Canada, and independent members around the world. The Guild has a members'-only archives with hundreds of needlework patterns, ideas, and articles about Jewish art, tradition and culture.

We also have a Facebook page and Yahoo discussion group. And you don't have to be Jewish to join! Go to Pomegranateguild.org for more information! And consider coming to our 2017 Convention in Atlanta! You will make friends, and beautiful things, and soon be able to decorate your own hallways with your own  Judaic art!

Recently Remembered Quilt: Running Around Like Cubic Chickens

You know those famous newsmen who got into trouble recently for claiming they were in combat, when they actually weren't?

Well, I sympathize, because I thought I was selling this quilt as a pattern, and just discovered that I'm not: 

 I made this quilt  around 2003, using mostly batik fabrics, paper foundation piecing, and bleach discharge. The words read "Shabbat Shalom." meaning a peaceful Sabbath.

Poetic Rabbi Abraham Joshu Heschel explained: "Six days a week we wrestle with the world, wringing profit from the earth; on the Sabbath we especially care for the seed of eternity planted in the soul….Six days a week we seek to dominate the world; on the seventh we try to dominate the self."

From the sublime to the ridiculous, I interpreted it visually this way: Six days a week we run back and forth, from right to left, like abstract rectangular cubic chickens. On the seventh, as the sun  sets, we  stop, take a deep breath, and look at a candle flame and think deeper.

The blocks are all paper foundation pieced. For the lettering, I cut Hebrew letters from freezer paper, and ironed them to a black fabric strip. Then I painted the strip with dishwasher gel. (These days, you're better off using Decoulerant - much less toxic). In five minute increments, I washed more and more of the gel off the strip. Yes, it was a mess! But it worked, with a nice gradated result.

I liked this quilt so much that I drafted an 8-page single spaced pattern for this quilt. I churned out 10 dense, single-spaced pages of directions, including this map:

And paper-piecing patterns for the blocks: 

A wonderful quilter named Joan Garland of Georgia, even tested it for me! 

She found some errors, which I am pretty sure I corrected. Thank you Joan!

I hadn't thought much about this quilt for a long time, but quite by accident this week, I came across photos. My first thought was, "Didn't I make a pattern from this quilt?" My second thought was, "I don't think it's been selling very well." So I checked my my pattern page to see if it's for sale - but it wasn't! Hmmm, that probably explains why sales have been so slow. 

A dozen years later, I know I will never wring profit from this pattern. So I think I'll donate it to the archives of the Pomegranate Guild of Judaic Needlework (pomegranateguild.org. Unpaid endorsement!)  But in order to do that, it needs many hours of fixing up. Are enough people interested? Is it worth my time?

Orphan Paper-Pieced Blocks

Back in the 2000's, I designed a foundation paper pieced Aleph Bet (Hebrew alphabet), based on calligraphy principles, and made a couple of quilts from it, like this one wallhanging (about 34" x 28"):

I put the e-pattern for sale on my website, and have received images of quilts made from it, including this one by a wonderful quilter named Wayne:

I also used the pattern to spell out 'Shalom': 

Very gratifying! Designing such a complex quilt meant lots of experimenting and discards. I wound up with a stack of leftovers, including these:  

Here's a closer look at the aleph (first letter of the Hebrew alphabet), front: 

And the back, with most of the paper pattern still in place, 

I stuffed the orphaned blocks in a file, where they sat for about six years, until this week, when I decided to participate in a Hanukah boutique at a local temple.

I took two orphan hamsa blocks that were not fails, added borders, quilted them, put on a hanging loop or sleeve (respectively), and voila! 

 The second one has a button eye in the center:

They're quilted with gold metalic thread, and are about 10" square. 

Here's what the hamsa pattern looks like. It's one of the most complicated patterns in the set. 

That's 22 pieces! Most of the letter patterns have far less!

(If you're interested in making your own, the epattern is sold in my Etsy shop,  as well as from my Judaiquilt shop, here.)